STUART MOORE AND KAYLA PARKER (PLYMOUTH)
ABSTRACT: FRAMING THE LANDSCAPE
DEVELOPING AN ECO-SENSITIVE CINEMA
This paper explores the potential for an ethical film-making practice in the Anthropocene through critical reflection on the material specificities of moving image and the affect of landscape cinema using two recent moving image artworks, Reach and Maelstrom: The Return (2014), as case studies.
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